Ashbery, John, 1927-2017

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  • Personality
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Information for Authority record
Name (Hebrew)
אשברי, ג'ון, 1927-2017
Name (Latin)
Ashbery, John, 1927-2017
Other forms of name
Ashbery, John
Date of birth
1927-07-28
Date of death
2017-09-03
Associated country
United States
Field of activity
Education, Higher
Language and languages
Literature
Poetry
Occupation
Translators
Authors
College teachers
Poets
Associated Language
eng
Gender
male
Language
English
MARC
MARC
Other Identifiers
VIAF: 100001869
Wikidata: Q29418
Library of congress: n 79059269
Sources of Information
1 / 5
Wikipedia description:

John Lawrence Ashbery (July 28, 1927 – September 3, 2017) was an American poet and art critic. Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age." Langdon Hammer, chair of the English Department at Yale University, wrote in 2008, "No figure looms so large in American poetry over the past 50 years as John Ashbery" and "No American poet has had a larger, more diverse vocabulary, not Whitman, not Pound." Stephanie Burt, a poet and Harvard professor of English, has compared Ashbery to T. S. Eliot, calling Ashbery "the last figure whom half the English-language poets alive thought a great model, and the other half thought incomprehensible". Ashbery published more than 20 volumes of poetry. Among other awards, he received the Pulitzer Prize for Poetry, National Book Award, National Book Critics Circle Award for his collection Self-Portrait in a Convex Mirror (1975). In 2007, he became the first living poet to be anthologized by the Library of America. Renowned for its postmodern complexity and opacity, his work still proves controversial. Ashbery said he wished his work to be accessible to as many people as possible, not a private dialogue with himself. He also joked that some critics still view him as "a harebrained, homegrown surrealist whose poetry defies even the rules and logic of Surrealism." He reflected: "I’m not very good at explaining my work... I'm unable to do so because I feel that my poetry is the explanation. The explanation of what? Of my thought, whatever that is. As I see it, my thought is both poetry and the attempt to explain that poetry; the two cannot be disentangled."

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