Pisemskiĭ, A. F. 1820-1881

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Information for Authority record
Name (Latin)
Pisemskiĭ, A. F. 1820-1881
Name (Cyrilic)
Писемский, А. Ф. 1820-1881
Other forms of name
Pisemskii, Aleksei Feofilaktovich, 1820-1881
Pisemsky, Alexei, 1820-1881
Pisemskij, Aleksei Feofilaktovich, 1820-1881
Писемский, Алексей Феофилактович
Date of birth
1820
Date of death
1881
Occupation
Authors, Russian
Associated Language
rus
Gender
male
MARC
MARC
Other Identifiers
VIAF: 37011154
Wikidata: Q470371
Library of congress: n 50082728
Sources of Information
  • LC data base, 05-26-88(hdg.: Pisemskiĭ, A. F. (Alekseĭ Feofilaktovich), 1820-1881; variants: A. F. Pisemsky, Alexei Pisemsky) LC manual cat. (hdg.: Pisemskiĭ, Alekseĭ Feofilaktovich, 1820-1881; usage: A. F. Pisemskiĭ)
  • Skrunda, J. Proza powieściowa Aleksego Pisiemskiego, 1988:t.p. (Aleksego Pisiemskiego)
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Wikipedia description:

Aleksey Feofilaktovich Pisemsky (Russian: Алексе́й Феофила́ктович Пи́семский) (23 March [O.S. 11 March] 1821 – 2 February [O.S. 21 January] 1881) was a Russian novelist and dramatist who was regarded as an equal of Ivan Turgenev and Fyodor Dostoyevsky in the late 1850s, but whose reputation suffered a spectacular decline after his fall-out with Sovremennik magazine in the early 1860s. A realistic playwright, along with Aleksandr Ostrovsky he was responsible for the first dramatization of ordinary people in the history of Russian theatre. "Pisemsky's great narrative gift and exceptionally strong grip on reality make him one of the best Russian novelists" according to D.S. Mirsky. Pisemsky's first novel Boyarschina (1847, published 1858) was originally forbidden for its unflattering description of the Russian nobility. His principal novels are The Simpleton (1850), One Thousand Souls (1858), which is considered his best work of the kind, and Troubled Seas, which gives a picture of the excited state of Russian society around the year 1862. He also wrote plays, including A Bitter Fate (1859; also translated as "A Hard Lot"), which depicts the dark side of the Russian peasantry. The play has been called the first Russian realistic tragedy; it won the Uvarov Prize of the Russian Academy.

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