Appleton, Jon H., 1939-2022

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Information for Authority record
Name (Latin)
Appleton, Jon H., 1939-2022
Other forms of name
Appleton, Jon H., 1939-
Appleton, Jon, 1939-
Date of birth
1939-01-04
Date of death
2022-01-30
Field of activity
Music
Occupation
College teachers
Composers
Gender
male
MARC
MARC
Other Identifiers
VIAF: 23422272
Wikidata: Q3183173
Library of congress: n 79095295
OCoLC: oca00327533
Sources of Information
  • His The development and practice of electronic music, 1975.
  • New Grove dict. of Amer. music(Appleton, Jon (Howard); b. 1-4-39, Los Angeles; composer)
  • His Contes de la mémoire [SR] p1996:label (Jon Appleton)
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Wikipedia description:

Jon Howard Appleton (January 4, 1939 – January 30, 2022) was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.

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