Bax, Arnold, 1883-1953

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Information for Authority record
Name (Hebrew)
באקס, ארנולד, 1883-1953
Name (Latin)
Bax, Arnold, 1883-1953
Other forms of name
nna Bax, Arnold Edward Trevor, Sir, 1883-1953
O'Byrne, Dermot, 1883-1953
Diarmid, 1883-1953
Date of birth
1883-11-08
Date of death
1953-10-03
Place of birth
Streatham (London, England)
Place of death
Cork (Ireland)
Associated country
Great Britain
Field of activity
Composition (Music)
Music Poetry Literature
Occupation
Composers Authors
Associated Language
eng
Gender
male
Fuller form of name
Arnold Edward Trevor
MARC
MARC
Other Identifiers
VIAF: 27251124
Wikidata: Q143198
Library of congress: n 82144206
OCoLC: oca00840299
Uk: 000909167
Sources of Information
  • Hull, R. H. A handbook on Arnold Bax's symphonies ... 1932.
  • His Dermot O'Byrne, 1979:t.p. (Arnold Bax) p. 11, etc. (Dermot O'Byrne, pseud. used from 1910 on; Diarmid, pseud. used from 1907-1910)
  • Grovemusic WWW site, Dec. 5, 2003(Bax, Sir Arnold (Edward Trevor); b. Nov. 8, 1883, Streatham, d. Oct. 3, 1953, Cork; English composer)
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Wikipedia description:

Sir Arnold Edward Trevor Bax (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems, he wrote seven symphonies and was for a time widely regarded as the leading British symphonist. Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary circles, writing fiction and verse under the pseudonym Dermot O'Byrne. Later, he developed an affinity with Nordic culture, which for a time superseded his Celtic influences in the years after the First World War. Between 1910 and 1920 Bax wrote a large amount of music, including the symphonic poem Tintagel, his best-known work. During this period he formed a lifelong association with the pianist Harriet Cohen – at first an affair, then a friendship, and always a close professional relationship. In the 1920s he began the series of seven symphonies which form the heart of his orchestral output. In 1942 Bax was appointed Master of the King's Music, but composed little in that capacity. In his last years he found his music regarded as old-fashioned, and after his death it was generally neglected. From the 1960s onwards, mainly through a growing number of commercial recordings, his music was gradually rediscovered, although little of it is regularly heard in the concert hall.

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