Āl Saʻīd, Shākir Ḥasan, 1925-
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Other Identifiers
Sources of Information
- His Fuṣūl min tārīkh al-ḥarakah al-tashkīlīyah fī al-ʻIrāq, 1983- :v. 1, t.p. (Shākir Ḥasan Āl Saʻīd) info. from Cairo (b. 1928)
- al-Khaṣāʾiṣ al-fannīyah wa-al-ijtimāʻīyah li-rusūm al-Wāsiṭī, 1964:t.p. (Shākir Ḥasan Saʻīd) p. 18 (Shākir Ḥasan Āl Saīd)
- Dirāsāt taʻammulīyah, c1997:t.p. (Shākir Ḥasan Āl Saʻīd) t.p. verso (b. 1925 in al-Samāwah, al-ʻIrāq, artist and univ. prof.)
- Ḥiwār al-fann al-tashkīlī, 1995:p. 411 (Shākir Ḥasan Āl Saʻīd, b. 1925 in al-Samāwah, al-ʻIrāq)
- Nabīl ʻAnānī, 2001:t.p. verso (Shākir Ḥasan Āl Saʻīd) English colophon (Shaker Hassan Al Said)
- شاكر حسن آل سعيد هو رسام وفنان تشكيلي؛ توفى الفنان شاكر حسن في بغداد، في شهر محرم من عام 1425هج، الموافق شهر آذار من عام 2004م ( (ويكيبيديا، شوهد 15 مايو 2019) )
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Wikipedia description:
Shakir Hassan Al Said (Arabic: شاكر حسن آل سعيد) (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative and influential artists. An artist, philosopher, art critic and art historian, he was actively involved in the formation of two important art groups that influenced the direction of post-colonial art in Iraq. He, and the art groups in which he was involved, shaped the modern Iraqi art movement and bridged the gap between modernity and heritage. His theories charted a new Arabic art aesthetic which allowed for valuations of regional art through lenses that were uniquely Arabic rather than Western.
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