Vanbrugh, John, 1664-1726

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Information for Authority record
Name (Hebrew)
ואנברו, ג'ון, 1664-1726
Name (Latin)
Vanbrugh, John, 1664-1726
Other forms of name
Vanbrugh, John, Sir, 1664-1726
Vanbrugh, J. (John), Sir, 1664-1726
Author of The provok'd wife, 1664-1726
Provok'd wife, Author of the, 1664-1726
Author of The relapse, 1664-1726
Relapse, Author of the, 1664-1726
Vanburgh, John, Sir, 1664-1726
Author, 1664-1726
Author of a new comedy call'd The relapse, 1664-1726
Relapse, Author of a new comedy call'd The, 1664-1726
Date of birth
1664-01-24
Date of death
1726-03-26
Field of activity
Architecture, Baroque--England
English drama (Comedy)
English drama--Restoration, 1660-1700
Occupation
Architects
Dramatists
Associated Language
eng
Gender
male
MARC
MARC
Other Identifiers
VIAF: 7398042
Wikidata: Q333398
Library of congress: n 50045023
OCoLC: oca00080183
Sources of Information
  • His The provoked husband, 18--:t.p. (Sir J. Vanbrugh)
  • His The mistake, 1706:t.p. (Author of the provok'd wife)
  • His The confederacy, 1705:t.p. (Author of The relapse)
  • BM(Vanbrugh, Sir John; ref. Vanburgh, Sir John)
  • InU/Wing STC files(usage: the author)
  • InU/Wing STC files(usage: the author of a new comedy call'd The relapse)
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Wikipedia description:

Sir John Vanbrugh (; 24 January 1664 (baptised) – 26 March 1726) was an English architect, dramatist and herald, perhaps best known as the designer of Blenheim Palace and Castle Howard. He wrote two argumentative and outspoken Restoration comedies, The Relapse (1696) and The Provoked Wife (1697), which have become enduring stage favourites but originally occasioned much controversy. He was knighted in 1714. Vanbrugh was in many senses a radical throughout his life. As a young man and a committed Whig, he was part of the scheme to overthrow James II and put William III on the throne. He was imprisoned by the French as a political prisoner. In his career as a playwright, he offended many sections of Restoration and 18th century society, not only by the sexual explicitness of his plays, but also by their messages in defence of women's rights in marriage. He was attacked on both counts, and was one of the prime targets of Jeremy Collier's Short View of the Immorality and Profaneness of the English Stage. In his architectural career, he created what came to be known as English Baroque. His architectural work was as bold and daring as his early political activism and marriage-themed plays, and jarred conservative opinions on the subject.

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