Hoffenstein, Samuel, 1889-1947

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Information for Authority record
Name (Latin)
Hoffenstein, Samuel, 1889-1947
Other forms of name
Goffenshteĭn, Samuėlʹ, 1889-1947
Goffensteĭn, Samuėlʹ, 1889-1947
Date of birth
1890-10-09
Date of death
1947-10-06
Place of birth
Russia
Place of death
Los Angeles (Calif.)
Associated country
United States
Field of activity
Criticism
Drama--History and criticism
Motion picture authorship
Motion picture plays
Occupation
Screenwriters
Theater critics
Université Jean-Moulin. Centre de recherche sur les idées et les transferts interculturels
Associated Language
eng
Gender
male
MARC
MARC
Other Identifiers
VIAF: 12508693
Wikidata: Q506161
Library of congress: n 85151874
OCoLC: oca01742059
Sources of Information
  • Conquest [MP] 1937:credits (screenplay by Samuel Hoffenstein)
  • International film necrology, 1981(Samuel Hoffenstein; b. Russia, d. 10/6/1947; writer)
  • Katz, E. Film encyc., c1979:p. 568 (Hoffenstein, Samuel, b. 1889 in Russia, d. 1947; screenwriter, drama critic)
Wikipedia description:

Samuel "Sam" Hoffenstein (8 October 1890 – 6 October 1947) was a screenwriter and a musical composer. Born in Odessa (now Ukraine), he emigrated to the United States and began a career in New York City as a newspaper writer and in the entertainment business. In 1931 he moved to Los Angeles, where he lived for the rest of his life and wrote the scripts for over thirty movies. These movies included Dr. Jekyll and Mr. Hyde (1931), The Miracle Man (1932), Phantom of the Opera (1943), The Wizard of Oz (1939), Tales of Manhattan (1942), Flesh and Fantasy (1943), Laura (1944), and Ernst Lubitsch's Cluny Brown (1946). In addition, Hoffenstein, along with Cole Porter and Kenneth Webb, helped compose the musical score for Gay Divorce (1933), the stage musical that became the film The Gay Divorcee (1934). He died in Los Angeles, California. A book of his verse, Pencil in the Air, was published three days after his death to critical acclaim. Another book of his work was published in 1928, titled Poems in Praise of Practically Nothing. The book contained some of his work that had been formerly published in the New York World, the New York Tribune, Vanity Fair, the D. A. C. News, and Snappy Stories.

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