Last, James

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  • Personality
| מספר מערכת 987007327649205171
Information for Authority record
Name (Hebrew)
לאסט, ג'יימס
Name (Latin)
Last, James
Other forms of name
Last, Hans
לסט, ג'יימס
Date of birth
1929-04-17
Date of death
2015-06-09
Place of birth
Bremen (Germany)
Associated country
Germany
Field of activity
Popular instrumental music
Occupation
Arrangers (Musicians)
Composers
Conductors (Music)
Sound recording executives and producers
Associated Language
ger
Gender
male
MARC
MARC
Other Identifiers
VIAF: 85329479
Wikidata: Q57213
Library of congress: n 92018383
Sources of Information
  • Zamfir, G. Music by candlelight [SR] p1979:label (James Last)
  • Worth, F.L. Elvis, 1992:p. 109 (Last, James; b. 4-17-1929, Bremen, Germany)
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Wikipedia description:

James Last (German pronunciation: [tʃeɪms last], [dʃeɪms lɑːst]; born Hans Last; 17 April 1929 – 9 June 2015) was a German composer and big band leader of the James Last Orchestra. Initially a jazz bassist, his trademark "happy music" made his numerous albums best-sellers in Germany and the United Kingdom, with 65 of his albums reaching the charts in the UK alone. His composition "Happy Heart" became an international success in interpretations by Andy Williams and Petula Clark. Last is reported to have sold an estimated 200 million records worldwide in his lifetime of which 80 million were sold by 1973 and won numerous awards including 200 gold and 14 platinum discs in Germany, the International MIDEM Prize at MIDEM in 1969, and West Germany's highest civilian award, the Bundesverdienstkreuz. His album This Is James Last remained a UK best-seller for 48 weeks, and his song "Games That Lovers Play" has been covered over a hundred times. Last undertook his final tour months before his death at age 86, upon discovering in September 2014 that an illness had worsened. His final UK performance was his 90th at London's Royal Albert Hall, more than any other performer except Eric Clapton. Last's trademark sound employed big band arrangements of well-known tunes with a jaunty dance beat, often heavy on bass and brass. Despite at times being derided by critics and purists as the "king of elevator music" or "acoustic porridge", his style and music were popular in numerous countries and cultures, including Japan, South Korea, the former Soviet Union, the US and UK, and his native Germany, where it became "the archetypal soundtrack of any German cellar bar party", and made him the "most commercially successful bandleader" of the second half of the 20th century.

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