Pradon, Mr. 1644-1698

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Information for Authority record
Name (Latin)
Pradon, Mr. 1644-1698
Other forms of name
De Pradon, Mr. (Jacques), 1644-1698
Pradon, Jacques, 1644-1698
Pradon, Nicolas, 1644-1698
Pradon, 1644-1698
Date of birth
1644
Date of death
1698-01-14
Occupation
Dramatists
Gender
male
Fuller form of name
Jacques
MARC
MARC
Other Identifiers
VIAF: 61905357
Wikidata: Q3340704
Library of congress: n 87139397
TAU10: 000604169
Sources of Information
  • His Phèdre et Hippolyte, 1987:t.p. (Pradon) p. vi (in reality, Jacques Pradon, though long erroneously considered b. 1632 and named Nicolas; b. 1644 in Rouen) p. vii (d. 1698)
  • Bib. nat.(Pradon (Nicolas); usage: Mr. Pradon, M. Pradon, Mr. de Pradon)
  • Dic. des lettres fr., 1954:17e s., p. 810 (Pradon (Nicolas); b. Rouen 1632, d. Paris 1698)
  • BL cat.(Pradon, Jacques, 1644-1698; also Pradon, Nicolas)
  • Dic. des lettres, 1986(Pradon, Nicolas ou Jacques; 1632-1698)
Wikipedia description:

Jacques Pradon, often called Nicolas Pradon (1632 – 14 January 1698), was a French playwright. Early in his career, he was helped by Pierre Corneille and was introduced to the salons at the Hôtel de Nevers and the Hôtel de Bouillon by Madame Deshoulières. Pradon was born in Rouen and is the author of eight tragedies: Pyrame et Thisbé (1674) (see Pyramus and Thisbe), Tamerlan, ou la mort de Bajazet (1676), Phèdre et Hippolyte (1677), La Troade (1679), Statira (1680), Regulus (1688), Germanicus (1694) and Scipion (1697). His plays enjoyed a certain limited success, but were severely judged by his rival Jean Racine, who also wrote tragedies based on the stories of Bajazet (Bayezid I) and Phaedra ("The only difference between Pradon and me is that I know how to write", Racine is reported to have said), and Racine's supporter Nicolas Boileau. This rivalry was particularly intense when Pradon brought out his Phèdre et Hippolyte at the same time as Racine's Phèdre (the writers Donneau de Visé and Adrien-Thomas Perdou de Subligny both took Pradon's side), and throughout his life Pradon wrote several attacks on Boileau. He died in Paris. Pradon's plays have been largely denigrated by modern critics, both for his lack of imagination or historical awareness and his utter adherence to the three classical unities and the bienséances (proprieties) of French classical theatre. For example, to avoid depicting a stepmother in love with her stepson, Pradon made Phèdre merely Theseus' fiancée. Pradon's 14th-century Mongol Tamerlan walks and acts like a gentleman of the 17th-century French court.

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