Fu, Baoshi, 1904-1965

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Information for Authority record
Name (Latin)
Fu, Baoshi, 1904-1965
Other forms of name
nne Fu, Pao-shih, 1904-1965
Fu, Changsheng, 1904-1965
Baoshizhaizhuren, 1904-1965
nnaa Fu, Pao-shih, 1905-
Fu, Chʻang-sheng, 1904-1965
Pao-shih-chai-chu-jen, 1904-1965
Fu, Hōseki, 1904-1965
傅抱石, 1904-1965
Date of birth
1904-10-05
Date of death
1965-09-29
Place of birth
China
Field of activity
Painting, Chinese
Occupation
Painters
Associated Language
chi
Gender
male
MARC
MARC
Other Identifiers
VIAF: 32277190
Wikidata: Q1472354
Library of congress: n 81022067
OCoLC: oca00567869
Sources of Information
  • His Shan shui jen ... 1955.
  • His Fu Pao-shih hua chi, 1980:t.p. (Fu Pao-chih) pref. (b. 1904; d. 1965)
  • Fu Pao-shih hua chi, between 1988 and 1992:cover (Fu Baoshi [in rom.]) p. 410, etc. (b. 10-5-1904, Nan-chʻang, Kiangsi Prov.; orig. name Fu Chʻang-sheng; h. Pao-shih-chai-chu-jen; d. 9-29-1965)
  • Chung-kuo hsien tai mei shu chia jen ming ta tzʻu tien, 1989(Fu Pao-shih (1904-1965))
  • LC manual auth. cd. (hdg.: Fu, pao-shih, 1905- )
  • 20-seiki Chūgoku gadan no kyoshō, Fu Hōseki, c1999:t.p. (in title: Fu Hōseki; r) ( (Record enhanced with data from: The IMAGINE Thesaurus - The Israel Museum Jerusalem Thesaurus - Artist names authority file) )
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Wikipedia description:

Fu Baoshi (Chinese: 傅抱石), or Fu Pao-Shih, (October 5, 1904– September 29, 1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition. He was the director of the Jiangsu Province Chinese Painting School and a vice-chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He held many personal exhibitions in China and won favourable comments. Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.

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