Bach, Johann Sebastian, 1685-1750. Preise, Jerusalem, den Herrn

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Information for Authority record
Name (Latin)
Bach, Johann Sebastian, 1685-1750. Preise, Jerusalem, den Herrn
Other forms of name
Bach, Johann Sebastian, 1685-1750. Cantatas, BWV 119
Bach, Johann Sebastian, 1685-1750. Cantatas, no. 119
Bach, Johann Sebastian, 1685-1750. Ratswahlkantate, BWV 119
Bach, Johann Sebastian, 1685-1750. Praise, O Jerusalem, the Lord
Bach, Johann Sebastian, 1685-1750. Kantate zum Ratswechsel, BWV 119
Bach, Johann Sebastian, 1685-1750. Cantata for the change of town council, BWV 119
Bach, Johann Sebastian, 1685-1750. Kantate zur Ratswahl zu Leipzig 1723
Bach, Johann Sebastian, 1685-1750. Kantate beim Ratswechsel zu Leipzig 1723
Bach, Johann Sebastian, 1685-1750. Concerto beim Ratswechsel zu Leipzig 1723
Bach, Johann Sebastian, 1685-1750. Jérusalem, célèbre l'éternel
MARC
MARC
Other Identifiers
VIAF: 181449683
Wikidata: Q1619926
Library of congress: n 82163431
Sources of Information
  • Bach, J.S. BWV 119 [SR] 1992:label (BWV 119 : Preise, Jerusalem, den Herrn = Praise, O Jerusalem, the Lord)
  • Schmieder, 1990(119. Preise, Jerusalem, den Herrn; Kantate (Concerto) beim Ratswechsel zu Leipzig 1723)
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Wikipedia description:

Preise, Jerusalem, den Herrn (Praise the Lord, Jerusalem), BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for Ratswechsel, the inauguration of a new town council, and first performed it on 30 August 1723. Bach composed the cantata in his first year as Thomaskantor in Leipzig, about three months after taking office at the end of May 1723. A festive service at the Nikolaikirche was an annual event, celebrating the inauguration of a new town council, always held on the Monday after St. Bartholomew (August 24). The text by an anonymous poet includes psalm verses and an excerpt from Martin Luther's German Te Deum. It is focused on acknowledgement of authority as a gift of God, thanks for past blessings, and prayer for future help. The cantata is structured in nine movements, three of them choral (1, 7, 9), the others alternating arias and recitatives. The orchestra is large and representative, with four trumpets, timpani, two recorders and three oboes, in addition to strings and basso continuo. Bach led the Thomanerchor in the first performance. In 2015 the cantata was performed by the Thomanerchor at the place of its premiere on 12 June, opening the Bachfest and celebrating both the 1000th anniversary of the first recorded mention of Leipzig and the 850th anniversary of the Nikolaikirche.

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