Strauss, Richard, 1864-1949. Don Quixote

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Information for Authority record
Name (Latin)
Strauss, Richard, 1864-1949. Don Quixote
Other forms of name
Strauss, Richard, 1864-1949. Don Quichotte
Strauss, Richard, 1864-1949. Don Chisciotte
Strauss, Richard, 1864-1949. Don Quijote
Strauss, Richard, 1864-1949. Fantastische Variationen uber ein Thema ritterlichen Charakters
Strauss, Richard, 1864-1949. Fantastic variations on a theme of knightly character
Strauss, Richard, 1864-1949. Variations fantastiques sur un theme de caractere chevaleresque
Strauss, Richard, 1864-1949. Variations fantastiques sur un theme chevaleresque
MARC
MARC
Other Identifiers
VIAF: 245504396
Wikidata: Q606635
Library of congress: n 88651496
OCoLC: oca02328038
Sources of Information
  • His Don Quixote [SR] p1987.
  • LC data base, 7-26-88(hdg.: Strauss, Richard, 1864-1949. Don Quixote)
  • New Grove(op. 35. Don Quixote, fantastische Variationen uber ein Thema ritterlichen Charakters, vc, orch, 1896-7)
  • LCN
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Wikipedia description:

Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled Phantastische Variationen über ein Thema ritterlichen Charakters (Fantastic Variations on a Theme of Knightly Character), the work is based on the novel Don Quixote de la Mancha by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor. The score is 45 minutes long and is written in theme and variations form, with the solo cello representing Don Quixote, and the solo viola, tenor tuba, and bass clarinet depicting his squire Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant flutter-tonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style". Graham Phipps has examined the structure of the work in terms of Arnold Schoenberg's ideas of 'surface harmonic logic' and 'developing variation'.

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